Wounded Land
Border Land
Holy Land
Mother Land
Jerusalem
Map Land
A family memorial forest turned into a military censored area confronted me with national myths and personal matters and was transfigured into ‘Nature Morte,’ a pink greenhouse with real earth, gravel and plants. Following this seminal installation at the Bograshov Gallery in 1992, the ‘Holy’ Land became a ‘White’ Land, a land of erasure and concealment, a ‘hole’ land.
