• Selected Publications •
2020
א(י)מניות, אימהות מביאות אמנות לעולם
By הדרה שפלן-קצבהוצאת גמא, 2020 , Nov 2020
https://www.gamaisrael.com/product-page/%D7%90%D7%99%D7%9E%D7%A0%D7%99%D7%95%D7%AA-%D7%90%D7%99%D7%9E%D7%94%D7%95%D7%AA-%D7%9E%D7%91%D7%99%D7%90%D7%95%D7%AA-%D7%90%D7%9E%D7%A0%D7%95%D7%AA-%D7%9C%D7%A2%D7%95%D7%9C%D7%9D-%D7%93-%D7%A8-%D7%94%D7%93%D7%A8%D7%94-%D7%A9%D7%A4%D7%9C%D7%9F-%D7%A7%D7%A6%D7%91
Cartografie (in)esasuste
By Laura Lo PrestiFrancoAngeli, s.r.l. 2019 , Jan 2020
Cartografie (in)esasuste: rappresentazioni, visualità, estetiche nella teoria critica della cartografica contemporanea, published by FrancoAngeli, s.r.l. 2019, pp. 204-206
2019
Sacred Goods/סחורה מקודשת
By Shaked ShamirCatalog: Shop It! Haifa Museum of Art , Jul 2019
English/Hebrew
׳׳מדיקליזציהג׳׳-תערוכה חדשה על חברה, רפואה,עיצוב וכוח
doctorsonly.co.il , Jul 2019
Survival and Resistance
By Mendes-Flohr Rita & Tannhauser NomiOnline catalog: Her Dress, Her Symbol, Antea revisited , Jun 2019
The 100 mostly female and a dozen male artists we invited to participate in Her Dress, Her Symbol – Antea Revisited were asked for works on the subject of ‘dress’. We enabled them to interpret this item of clothing according to their own understanding, with the only direction, be it implicit, provided by the context of this exhibit – marking 25 years since the founding of the Antea Gallery for feminist art in Jerusalem.
בלדה לחובשת: צילומי הפצע של אריאן ליטמן
By רעות ברנעכלכליסט 24.03.19 , Mar 2019
האמנית, צלמת חדשות בעברה, עוסקת בפצעים ותחבושות מאז שנחשפה לזוועות האינתיפאדה: "פעולת החבישה מרפאת, אך עלולה גם לעוור"
בלדה לחובשת
By רעות ברנעכלכליסט , Mar 2019
מדיקליזציה
By איתמר זהרהארץ, תערוכות , Mar 2019
האישי והפוליטי באמנות בישראלי. אמניות יוצרות באיזורי סכסוך מתמשך
By דרה שפלן קצבמגדר-כתב עת אקדמי רב תחומי למגדר ופמיניזם, גיליון 5, דצמבר 2018, עמ׳ 1-24 , Feb 2019
הנושא שבו אתמקד מתייחס להקשר המקומי של חיי נשים ישראליות שהן אימהות והטענה המרכזית שתובא במאמר היא שישנו קשר הדוק בין חיים באזור סכסוך מתמשך לבין יצירה .אמנותית של אימהות בישראל האמניות שידונו במאמר הן אריאן ליטמן, אורה ראובן, תמר ניסים, חוה ראוכר ויהודית מצקל ז"ל.
2018
Extroverting Cartography.“Seensing” maps and data through art
By Laura Lo PrestiJournal of Research and Didactics in Geography (J-READING), 2, 7, Dec., 2018, pp. 119-134 , Dec 2018
Drawing attention to the “extroversion” of geographic language, in this paper I explore the proliferation of mapping and its spatial fragments outside geography and, specifically, in the fabric of contemporary art. Inspired by the engagement, particularly of women artists, with cartography, I discuss the artistic exploration of mapping through various interpretative categories such as “spatial (de)generation”, “temporal proximity”, “ecologism”and “dataism/datactivism”. In conclusion, I consider the pros and cons that an aesthetic encounter with mapping gives to geography and to its creative transformation. (Regarding Surgical Operation see pp. 124-125)
Manofim- Art Cube Artists’ Studios
Nov 2018
עמק תפארת
By אילת הרצוולף ואורנה אתקין רביבבית חנקיו בכר יהושוע , Nov 2018
עמק תפארת
By איתן בוגניםהארץ, תערוכות , Sep 2018
Art and Cartography
By Ribeiro D. and Caquard S., John P. Wilson (ed).Geographic Information Science & Technology Body of Knowledge, University Consortium for Geographic Information Science, (1st Quarter 2018 Edition) , Aug 2018
The intersections between art and cartography go far beyond the notions of design and illustration, since mapmaking invariably has multiple cultural, social, and political dimensions. Considering this broader perspective, this entry provides a review of these different contemporary intersections, by exploring three main types of relationships: (1) cartography influenced by artistic practices; (2) map art or maps embedded in artistic practices; and (3) cartography at the interface between art and places. These will be discussed in detail following a brief overview of the main historical markers from which these types of relationships between art and cartography have emerged.
למכירה: זהות, אל תקנו את זה
By מיכל רוזןדבר , Aug 2018
מחאה מקורית: חובשים את אלכסנדר זייד
By ישראל מושקוביץידיעות אחרונות, 24 שעות , Jul 2018
The Map, Reading Between the Lines
By Batia DonnerEretz Israel Museum Tel Aviv , Apr 2018
The Map, Reading Between the Lines
By Batia DonnerMUSA Eretz Israel Museum Tel Aviv, 2017 (Hebrew, English, Arabic) , Mar 2018
המפה, לקרוא בין הקווים
By בתיה דונרמוזיאון ארץ-ישראל, תל אביב , Mar 2018
שורשים באמנות חזותית
By משרד החינוךשיתוף פעולה בין הפיקוח על האמנות החזותית במשרד החינוך ובין בית התפוצות, מוזיאון העם היהודי , Jan 2018
בערכה תמצאו מגוון דימויים חזותיים, הסברים והצעות לפעילות החומרים לקוחים מתוך אוסף בית התפוצות ומתוך יצירות אמנות ישראלית עכשווית, והם מוצעים כעזר להוראה בכיתה וכחומרי למידה הנלווים לפעילות "שורשים" בכיתות ז' עמ׳ 32
2017
On Sympathetic Grounds: Race, Gender and Affective Geographies in Nineteenth-Century North America
By Naomi Greyser, Associate Prof., Department of Rhetoric and English at the University of IowaOxford University Press , Nov 2017
https://global.oup.com/academic/product/on-sympathetic-grounds-9780190460983?cc=us&lang=en&#
AntiAtlas of Borders
By Anne-Laure Amilhal SzaryInterview in AntiAtlas of Borders , Nov 2017
LandEscape Meets Ariane Littman
By Curators, Katherine Williams and Josh RyderLandEscape Contemporary Art Review, Special Issue, 2016 , Mar 2017
LandEscape aims at presenting innovative and cutting-edge artworks in contemporary scenario and seeks to support creation art which focus more particularly on the theme of landscape in all the accepted meaning of the word and the recognition of the fundamental role which the landscapes of any kind have in the composition of an artwork. https://issuu.com/landescapeartpress/docs/landescapeartreview_-_special_issue/180
LandEscape meets Ariane Littman
By Katherine Williams & Josh Ryder (Curators)in LandEscape Contemporary Art Review, Anniversary Edition, 2017, p.180-213 , Jan 2017
2015
Arbor ardor, Tales of Controversy amid sylvan splendor
By Lawrence WeschlerArtenol, Fall 2015, p. 9-15 , Nov 2015
http://www.artenol.org/phone/lawrence-weschler.html
Visions of Place, Complex Geographies in Contemporary Israeli Art
By Dr. Martin Rosenberg and J.Susan IsaacsRutgers University - Camden and Towson University , Oct 2015
Chapter 7: Interventions: From Destruction to Healing J. Susan Isaacs p. 34-39, 78-79
Healing
Blouin Gallery Guide, The Monthly Guide to Leading Galleries and Museums, October 2015 , Oct 2015
"Ariane Littman: Healing", The Delaware Center for The Contemporary Arts, Wilmington, October 2015, p.74-75
“The Way of the Keffiyeh…”
Palestine Square-Art Square , Oct 2015
Erasure
By Filler, Sara (ed.)Broadband, A place for photography , Jul 2015
"White Land" (2001) published in: Filler, Sara (ed.), Broadband, A place for photography, vol.7, blog published by the Department of Photographic Communications at Hadassah Academic College, Jerusalem, July 29 2015, p. 64-75 and back cover, (Hebrew)
Alternative Ways of Mapping the Wound or Symbolic Borderities
By Ariane Littmanin: Amilhat-Szary, Anne-Laure and Giraut, Frédéric (eds.): Borderities and the Politics of Contemporary Mobile Borders, PALGRAVE MACMILLAN, 2015: 259-268 , Jul 2015
http://www.palgrave.com/page/detail/borderities-and-the-politics-of-contemporary-mobile-borders-anne-laure-amilhat-szary/?K=9781137468840
2014
Re-Representation – Critical Art and the Return of the Repressed
By Dr. Hadara Scheflan-Katzav, Hakibbuzim College of Education, Tel AvivOct 2014
Published in: Markowska, Anna (ed.), Politics of the Erasure from the “damnatio memoriae” to alluring void, Conferences and Studies of the Polish Institutes of World Art Studies, Vol. XIII, Polish Institutes of World Art Studies & Tako Publishing House, Warsaw-Torun, 2014: 91-96, http://www.tako.biz.pl/Politics.htm
No Man’s land at the Jerusalem Artists’ House
By Angela LevineMidnight East Blog, 23.6.2014 , Jun 2014
No Man’s Land
By Marie ShekJerusalem Artist's House, 2014 , Jun 2014
* Heara
By Editors: Ronen Eidelman, Sala-MancaHearat Shulaym and the Undergroung Academy, Jerusalem , Jun 2014
Independent Art in Jerusalem at the Beginning of the 21st Century, Jerusalem June 2014 A 350 pages catalog documenting the activities of The Heara (comments) project during the years 2002-2007, which included 11 site-specific events all around the city, orchestrated by Lea Mauas and Diego Rotman of the Sala-Manca art group involving some 400 artists. Numerous articles from the Hearat Shulaym publications have been included and much more...
Encounters at the Edge of the Forest
By Rhoda RosenSchool of Art & Art History , University of Illinois at Chicago and Gallery 400 , May 2014
In this scanned publication figures only the text: "Encounters at the Edge of the Forest" by Rhoda Rosen Other articles: "Sight Unseen: Lynching Photographs as Tools for Justice" by Rachel Shrock and "One Nation Under God" ...depending on Who You Ask" by Leonard Cicero figure in the catalog as well
Even Trees Can Be Political
By Menachem WeckerThe Jewish Daily FORWARD, Published May 17, 2014, issue of May 23, 2014 , May 2014
“Encounters at the Edge of the Forest,” on view at the University of Illinois at Chicago’s Gallery 400 until June 14, explores trees as political entities, which are “standard-bearers of nationalism” and are “burdened with soldiering on behalf of the nation state.” Read more:
DIEU, POSTE RESTANTE
By Jean-Robert Chauvinabcdetc.mondoblog.org , Apr 2014
למצוא את הצפוּן
By שמעון לבגלריה P8 , Mar 2014
Revealing the Concealed
By Dr. Fiammetta MarteganiP8 Art Gallery, Tel Aviv , Mar 2014
"...Where is the border between true and false, reality and fiction, representation and imagination in the matter of “mapping”? ....This relationship can be discussed in terms of landscapes and representation, geography and the production of art, and the role of art in remaking places. ..."
2013
L’ artiste passe-muraille
By Professor Anne-Laure Amilhat-SzaryEspacesTemps.net, Works , Nov 2013
Based on the analysis of contemporary art works produced around the wall built by the Israelis around the West Bank, this paper addresses the issues of border crossing and of the norms that one needs to confront in order to pass the line...The examples developed here contribute, on one hand, to the debates on the performative power of border devices, and on the other, to the elaboration of the analysis of what is at stake in the relationship between in situ art works and movement.
Precarious Symbolism: When the Political Sphere Overshadows Art History
By Maymanah FarhatArt Journal Vol. 72, No. 1 (Spring 2013): 95 , Apr 2013
Brodsky and Olin’s curatorial essay, “Unavailable Intersections,” reveals the original premise of the Fertile Crescent exhibition, which was to be centered on women artists who reflect the familiar themes of feminist art, namely the exploration of gender and sexuality, or rather how gender and sexuality are fashioned as social constructs, depending on context....
The Fertile Crescent: Gender, Art, and Society
By Doris FriedensohnThe Ethical Culture Society of Bergen Country , Feb 2013
A wise, compelling, and beautifully produced volume,The Fertile Crescent: Gender, Art and Society highlights women artists’ perspectives on their homelands and cultures. ... Maps of altered reality: Israeli Ariane Littman has been a news photographer, performance artist, and creative map-maker. “The Wounded Land Project” (2004 -12) is a virtuoso effort of cultural and psychological repair...
2012
Ariane Littman: In Signs
Signs: Journal of Women in Culture and Society , Nov 2012
Artist Statement in 'Visibility and Visuality Artists'
What is the meaning of borders?
By Professor Joanna RegulskaOct 2012
Joanna Regulska is Professor of Women’s and Genders Studies, and Geography Vice President for International and Global Affairs, Rutgers University
Motherhood and nation: The voice of women artists in Israel’s bereavement and memorial discourse
By Yael GuilatJournal of Israeli History: Politics, Society, Culture, volume 31, No. 2, September 2012, pp.283-318 , Sep 2012
Motherhood and nation: The voice of women artists in Israel’s bereavement and memorial discourse
By Guilat Yaelin Journal of Israeli History: Politics, Society, Culture, volume 31, No. 2, September 2012, pp.283-318 , Sep 2012
Fertile Crescent, Gender, Art and Society
By Judith K. Brodsky & Ferris OlinThe Fertile Crescent, Gender, Art and Society , Aug 2012
2011
Mahsom Watch: Hizma
By Tamar Fleishman (reporting)http://www.machsomwatch.org/ , Jul 2011
Checkpoint Hizme
http://www.machsomwatch.org/flickr , Jul 2011
מחסום חיזמה
By (תמר פלישמן (מדווחתhttp://www.machsomwatch.org/reports/checkpoints/10/07/2011/afternoon/18375#sthash.t9hFVzer.dpuf , Jul 2011
The A5 Magazine, Jerusalem Issue
The A5 Magazine , Jun 2011
A5 MAGAZINE IS AN INDEPENDENT CONTEMPORARY ART & DESIGN MAGAZINE FROM TEL-AVIV
EverGreen
By Ayana FriedmanBeit Avi Chai , May 2011
Hebrew/English
ִ אמהוּת ולאומיות: קולן של נשים אמניות בשיח השכול וההנצחה
By יעל גילעתFeb 2011
2010
Art, das Kunstmagazin, November 2010, p.15 , Nov 2010
“מפות נופיות” ושאלת הטריטוריה :דיון ביצירותיהם של אמנים עכשוויים יהודים ופלסטינים בישראל
By ד׳׳ר יעל גילעתדברים, כתב עת אקדמי, גיליון: מקום, אוקטובר 2010 , Oct 2010
Was war da los Frau Littman
By Felix RettbergDer Spiegel,(Szene), Nr. 36/6.9.10, p.60 , Sep 2010
2009
Body and Shadow
By Irena GordonThe Jerusalem Foundation , May 2009
Artists of the Artists’ Studios
The maternal and another jouissance – a matrixial reading of art
By Hadara Scheflan-KatzavFeb 2009
This paper is an adaptation of a part of the third chapter of Hadara Scheflan-Katzav's Ph.D dissertation: The Encounter between the Maternal Subject and the Visual Signifier in Current Israeli Art, which was written under the supervision of Professor Ruth Ronen.
2008
Lift-off, Jerusalem Art Season
Sep 2008
Border Walls
Aug 2008
Nocturnal Stillness
By text by Dana Arieli-HorowitzThe New Gallery Teddy Stadium, Jerusalem , Apr 2008
Nocturnal Stillness, Reuven Zahavi, Ariane Littman-Cohen, Niv Ben-David, The New Gallery Teddy Stadium, Jerusalem, text by Dana Arieli-Horowitz, April 2008 (English/Hebrew)
2007
Act of State Photographic History of 40 Years of Occupation
By Ariella Azoulay AssistantThe Gallery of Minshar, School of Art, Tel Aviv Opening: June 7th, 2007 , Jun 2007
The exhibition will present the first outline for a visual history of the Occupation. Hundreds of photographs (in small format) from Israeli and Palestinian sources will be classified along chronological and thematic lines and will give the exhibition an archival character.
Creating Art, Promoting Change: Works by Jewish Women, The Calendar 2007-2008
Project of the Hadassah-Brandeis University and Brandeis University, USA , Jan 2007
2006
אמנות לשינוי
חלונות, כתב עת עברי ערבי לנוער , Nov 2006
נובמבר 2006, עמ' 41
ירושלים תחתית – Downtown Jerusalem
By Yonatan AmirJerusalem Foundation , May 2006
Hebrew
Offering Reconciliation
By Bereaved Families Forum for PeaceCatalog of the exhibition at the Ramat Gan Museum , May 2006
(Hebrew/English)
2005
“…and turn into a single scream”- women and human rights during armed conflicts
By Curator: Rita Mendes-FlohrAntea Gallery at Kol Ha-Isha , Dec 2005
English/Hebrew/Arabic והופכות לזעקה אחת" נשים וזכויות האדם בעתות מלחמה "... גלריה אנטיאה, ירושלים
אורות של מטה ואורות של מעלה: על אור פיזי ואור מטפיזי באמנות הישראלית
By גדעון עפרתהוצאת עם עובד , Oct 2005
אורים , האור בספרות, בהגות ובאמנות עורכים: אמילי בילסקי, אמיתי מנדלסון, אביגדור שנא 212-227 ע'
2004
The Sleepless Night of Hedva Shemesh/”ליל הנדודים של חדוה שמש”
By Ariane Littman-CohenErev Rav , Dec 2004
"The exhibition entitled “The Sleepless Night of Hedva Shemesh” that opened on December 23, 2004 at The New Gallery is in many ways unusual. As soon as one enters the space of the gallery, there is a strong feeling of ‘elsewhere’ that emerges from the aesthetic of the works on display, the majority of them having been created by twelve artists of Russian origin, all living in Jerusalem, that sees themselves as a group with a specific program... This feeling of being marginals, of “never being fully adjusted, always feeling outside the chatty, familiar world inhabited by natives” is something that is openly admitted by the members of the group and that reverberate through their works...."
Jerusalem-Sacred Walls
By Sol LenziniMuseum Bar David, Kibbutz Bar David , Sep 2004
English, Hebrew, Arabic
2003
(H)Earat Shulayim 6 – Maps. Roads & Souvenirs/הערת שולים 6 – מפות, דרכים ומזכרות
By Editors: Lea Mauas, Diego Rotman(H)Earat Shulayim , Oct 2003
(H)eara Shulayim 6, pp. 8-9 (Hebrew) see link:
“Bad Girls” – The Israeli version: Contemporary Women Artists in Israel
By Tami Katz-Freimanin Jewish Feminism in Israel, Some contemporary Perspectives, Brandeis University Press , Oct 2003
Edited by Kalpana Misra and Melanie S. Rich, pp. 141-171
Bad Girls – The Israeli Version Contemporary Women Artists in Israel
By Tami Katz-FreimanJewish Feminism in Israel: Some Contemporary Perspectives, University Press of New England, 2003 , Jan 2003
2002
The Boundaries of Sculpture, Israeli Sculpture Between Art, Science and Technology/גבולות הפיסול, פיסול ישראלי בין אמנות, מדע ותעשייה
By Curators: Haim Finkelstein, Haim Maor, Ruti OfekThe Open Museum in Tefen , Jun 2002
English/Hebrew אוצרות: פרופ' חיים פינקלשטיין, חיים מאור, רותי אופק
Symbolic Israeli landscapes The artists’ work means more to the initiated.
By By Edward J. Sozanski INQUIRER ART CRITICphylli.com , Feb 2002
For her second exhibition of Israeli art, Cheryl Harper, curator at the Gershman Y, has chosen four artists who extract symbolic meaning from ordinary landscapes. Sharon Ya'ari, Ariane Littman-Cohen, Roi Kuper and Gal Weinstein don't merely describe their country's topography. Their images are suffused with historical, sociological and personal references meant to convey complex emotions about the country's ideals.
LandEscapes, A Multi-Site Exhibition of Contemporary Israeli Art
By Texts by Cheryl Harper and Tami Katz FreimanThe Gershman Y, The Center for Arts and Culture, Philadelphia, U.S , Jan 2002
2001
White Land / ארץ לבנה או בעקבות ‘היער האסור’
By Dr. Rona Sela / רונה סלהThe Artists House, Jerusalem / בית האמנים, ירושלים , Feb 2001
(Hebrew/English)
2000
Report from Israel, Wider Focus
By Richard VineArt in America, no. 5, May 2000, pp.65-75 , May 2000
ליבה-Core
By Esther DotanSTUDIO Art Magazine 110 , Jan 2000
1999
Art Focus 3, International Biennal of Contemporary Art
By Ilan WizganOct 1999
Text for the exhibition:The Spirit of The Time and The Spirit of The Place, p. 61 (Hebrew/English)
Wasteland
By Hedva Shemesh, Text: Ariane Littman-Cohen, Correspondence (Hebrew/English)The New Gallery, Jerusalem 1999 , Jun 1999
Six Set Up a Table
By Rachel SukmanMusrara 10 , May 1999
1998
In the Name of the Land, In the Name of the Lord, Art and Realities in Jerusalem/על דעת המקום, אמנות ומציאות בירושלים
By Curator: Ilan Wizgan/אוצר: אילן ויזגןThe Artists House, Jerusalem / בית האמנים, ירושלים , Dec 1998
Arts & Leisure: Beasts of Burden
By Cory DuganMemphis Flyer , Oct 1998
Between Beauty and Destiny, Three Generations of Israeli Art
By Jill SnyderCleveland Center for Contemporary Art , Sep 1998
After Rabin: New Art from Israel
By Susan T. GoodmanThe Jewish Museum, September 1998 , Sep 1998
Angst and Introspection In a Time of Transition
By By KEN JOHNSONThe New York Times , Sep 1998
''After Rabin: New Art From Israel'' at the Jewish Museum presents the work of 35 contemporary artists, established and emerging, who are said to be among the most visible and respected in Israel.
שורשי הזרות, ארבעה אמנים מתמודדים עם חווית ההגירה
By סיגל ברקאיפנים, כתב עת לתרבות, חברה וחינוך, מס' 6, יולי 1998, עמ' 109-114 , Jul 1998
Junge Kunst Aus Israel
By Curator: Renate BuschmanMinisterium fur Wirtshaft und Mittelstand, Technologie und Verkehr, Dusseldorf , Apr 1998
German/English
Jerusalem, Anti-Myth’ in: The Real and ideal Jerusalem in Jewish, Christian and Islamic Art
By Milly HeydJewish Art Vol 23/24 1997-1998 pp. 597-99 , Feb 1998
Milly Heyd- Jerusalem, Anti-Myth' in: The Real and ideal Jerusalem in Jewish, Christian and Islamic Art, Jewish Art Vol 23/24 1997-1998 pp. 597-99, edited by Bianca Kuhnel, The Hebrew University of Jerusalem
1997
Jerusalem: Anti-Myth
By Dr. Milly HeydNov 1997
in 'The Real and the Ideal Jerusalem in Jewish, Christian and Islamic Art,' Jewish Art, vol. 23/24, 1997-98, The Hebrew University of Jerusalem, edited by Bianca Kuhnel, pp.597-99
Out of Senses
By Florent Bex & Jan FonceMUKHA, Antwerpen, , Apr 1997
(Flemish/English)
1996
Woman Time/זמן אשה
By Curator: Nella Cassoutoin 'December of Women,' The Artists House, Haifa , Dec 1996
Hebrew אוצרת: נלה קסוטו, בית האמנים ע''ש שאגאל,חיפה, דצמבר של נשים
Desert Cliché, Israel Now, Local Images
By Tami Katz-Freiman & Amy CappellazzoIsraeli Forum of Art Museums and the Bass Museum of Art, Miami Beach, Florida, 1996 (Hebrew/English) , Sep 1996
pp.25, 30, 46-48, 83
A Voyage into the Sublime
By Texts by Dr. Ganit Ankori and Ariane LittmanHerzliya Museum of Art, Spring 1997 , Jul 1996
Marks: Artists Work Throughout Jerusalem/סימנים, אמנים עובדים בחוצות ירושלים
By Curator: Susan LandauThe Israel Museum, Jerusalem , Jun 1996
(Hebrew/English) אוצרת: סוזן לנדאו ,מוזיאון ישראל, ירושלים
1995
Sculpture – Installation 95
By Hedva Shemesh, Ariane Littman-Cohen, Jaffa Sunshine, April 1995 (Hebrew/English)Israel Festival, Jerusalem Culture Dept. Jerusalem Municipality, 1995 , Jul 1995
Virgin of Israel and Her Daughters בתולת ישראל ובנותיה
By Texts: Nella Cassouto, Ariane LittmanThe Artists House, Jerusalem / בית האמנים, ירושלים , Mar 1995
English/Hebrew
Tel Aviv, Israel
By Barry SchwabskyMagazine: Sculpture , Jan 1995
On Art Focus 1994
1994
90-70-90
By Dr. Rona SelaTel Aviv Museum of Art, Helena Rubinstein Pavilion for Contemporary Art , Oct 1994
(Hebrew/English)
ארט פוקוס, אמנות בת זמננו 1994
By ורד מימון59, ארבע על חמש , Oct 1994
חללימ אלטרנטיביים ומיצנים
Love at First Sight
By Igal TsalmonaIsrael Museum , Oct 1994
The Vera, Silvia and Arturo Schwarz Collection of Israeli Art
מעמידה את הסופיות מול הנצחיות
By סמדר גולןעולם האשה, אמנות פלסטית, ספטמבר 94 , Sep 1994
מטא-סקס 94, זהות, גוף, ומיניות
By אוצרות: תמי כץ-פרימן, תמר אלאורמשכן לאמנות ע''ש חיים אתר, עין-חרוד, מוזיאון בת-ים ע''ש דוד בן-ארי , Jun 1994
יוני-יולי 1994 עמ' 81-80, 131-130
Meta Sex 94, Identity, Body & Sexuality
By Tami Katz-Freiman, Tamar El-OrMuseum of Art, Ein Harod; Bat-Yam Museum, 1994 , May 1994
pp. 80-81, 131-133, (Hebrew/English)
1993
The Range of Realism
By Dr, Rona SelaTel Aviv Museum of Art , Oct 1993
Hebrew/English
Third Person, גוף שלישי
By Ariela Azoulai and Michal Heiman/ אוצרת: אריאלה אזולאי, ומיכל היימןBograshov Gallery, Camera Obscura, Tel Aviv/ גלריה בוגרשוב, קמרה אובסקורה, תל אביב , Mar 1993
Texts in Hebrew followed by english translation
1992
דודו גבע
By שלומית סנדר אלטמן4 x 5 , Sep 1992
מי חתום על הברווז ? התערוכה
By אדם ברוךזמן תל אביב , Sep 1992
Sketches (Mickey’s Keffiyeh)
Sep 1992
מאז שמרסל דושאן צייר שפם למונה ליזה
By סמדר שפיהארץ , Sep 1992
מה גדל בחממה של בוגרשוב?
By רותי דירקטורמעריב, ספרות ואמנות , Jul 1992
הארץ
Jul 1992
אירית סגולי, עצים בחממה, הארץ, 17.7.92 טלי תמיר, השלמה עם מות האמנות, הארץ 28.7.92
ביער בבוגרשוב
By ד"ר גדעון עפרתגלריה בוגרשוב , Jun 1992
טקסט לתערוכה טבע דומם
In the Forest of Bograshov
By Dr. Gideon OfratBograshov Gallery , Jun 1992
דבר/העיר
Jun 1992
תלינו, חממה זמנית, העיר 19.6.92 רבקה מאיר, טבע מבויית, דבר 5.7.92
Sketches Nature Morte
Mar 1992
1991
לכבוש את ההר
By מרים יזרעאלכל העיר, 5.7.91 , Jul 1991
Niches (Hebrew)
Jul 1991
ירושלים, 22.3.91 , Mar 1991
בבצלאל …
By מיכאל סגן-כהןירושלים, 22.3.91 , Mar 1991