LandEscape Meets Ariane Littman

LandEscape Contemporary Art Review, Special Issue, 2016 , Mar 2017

LandEscape aims at presenting innovative and cutting-edge artworks in contemporary scenario and seeks to support creation art which focus more particularly on the theme of landscape in all the accepted meaning of the word and the recognition of the fundamental role which the landscapes of any kind have in the composition of an artwork. https://issuu.com/landescapeartpress/docs/landescapeartreview_-_special_issue/180

LandEscape meets Ariane Littman

in LandEscape Contemporary Art Review, Anniversary Edition, 2017, p.180-213 , Jan 2017

Visions of Place, Complex Geographies in Contemporary Israeli Art

Rutgers University - Camden and Towson University , Oct 2015

Chapter 7: Interventions: From Destruction to Healing J. Susan Isaacs p. 34-39, 78-79

Healing

Blouin Gallery Guide, The Monthly Guide to Leading Galleries and Museums, October 2015 , Oct 2015

"Ariane Littman: Healing", The Delaware Center for The Contemporary Arts, Wilmington, October 2015, p.74-75

“The Way of the Keffiyeh…”

Palestine Square-Art Square , Oct 2015

Erasure

Broadband, A place for photography , Jul 2015

"White Land" (2001) published in: Filler, Sara (ed.), Broadband, A place for photography, vol.7, blog published by the Department of Photographic Communications at Hadassah Academic College, Jerusalem, July 29 2015, p. 64-75 and back cover, (Hebrew)

Alternative Ways of Mapping the Wound or Symbolic Borderities

in: Amilhat-Szary, Anne-Laure and Giraut, Frédéric (eds.): Borderities and the Politics of Contemporary Mobile Borders, PALGRAVE MACMILLAN, 2015: 259-268 , Jul 2015

http://www.palgrave.com/page/detail/borderities-and-the-politics-of-contemporary-mobile-borders-anne-laure-amilhat-szary/?K=9781137468840

No Man’s land at the Jerusalem Artists’ House

Midnight East Blog, 23.6.2014 , Jun 2014

No Man’s Land

Jerusalem Artist's House, 2014 , Jun 2014

* Heara

Hearat Shulaym and the Undergroung Academy, Jerusalem , Jun 2014

Independent Art in Jerusalem at the Beginning of the 21st Century, Jerusalem June 2014 A 350 pages catalog documenting the activities of The Heara (comments) project during the years 2002-2007, which included 11 site-specific events all around the city, orchestrated by Lea Mauas and Diego Rotman of the Sala-Manca art group involving some 400 artists. Numerous articles from the Hearat Shulaym publications have been included and much more...

Encounters at the Edge of the Forest

School of Art & Art History , University of Illinois at Chicago and Gallery 400 , May 2014

In this scanned publication figures only the text: "Encounters at the Edge of the Forest" by Rhoda Rosen Other articles: "Sight Unseen: Lynching Photographs as Tools for Justice" by Rachel Shrock and "One Nation Under God" ...depending on Who You Ask" by Leonard Cicero figure in the catalog as well

Even Trees Can Be Political

The Jewish Daily FORWARD, Published May 17, 2014, issue of May 23, 2014 , May 2014

“Encounters at the Edge of the Forest,” on view at the University of Illinois at Chicago’s Gallery 400 until June 14, explores trees as political entities, which are “standard-bearers of nationalism” and are “burdened with soldiering on behalf of the nation state.” Read more:

DIEU, POSTE RESTANTE

abcdetc.mondoblog.org , Apr 2014

למצוא את הצפוּן

גלריה P8 , Mar 2014

Revealing the Concealed

P8 Art Gallery, Tel Aviv , Mar 2014

"...Where is the border between true and false, reality and fiction, representation and imagination in the matter of “mapping”? ....This relationship can be discussed in terms of landscapes and representation, geography and the production of art, and the role of art in remaking places. ..."

Precarious Symbolism: When the Political Sphere Overshadows Art History

Art Journal Vol. 72, No. 1 (Spring 2013): 95 , Apr 2013

Brodsky and Olin’s curatorial essay, “Unavailable Intersections,” reveals the original premise of the Fertile Crescent exhibition, which was to be centered on women artists who reflect the familiar themes of feminist art, namely the exploration of gender and sexuality, or rather how gender and sexuality are fashioned as social constructs, depending on context....

The Fertile Crescent: Gender, Art, and Society

The Ethical Culture Society of Bergen Country , Feb 2013

A wise, compelling, and beautifully produced volume,The Fertile Crescent: Gender, Art and Society highlights women artists’ perspectives on their homelands and cultures. ... Maps of altered reality: Israeli Ariane Littman has been a news photographer, performance artist, and creative map-maker. “The Wounded Land Project” (2004 -12) is a virtuoso effort of cultural and psychological repair...

What is the meaning of borders?

Oct 2012

Joanna Regulska is Professor of Women’s and Genders Studies, and Geography Vice President for International and Global Affairs, Rutgers University

Fertile Crescent, Gender, Art and Society

The Fertile Crescent, Gender, Art and Society , Aug 2012

Checkpoint Hizme

http://www.machsomwatch.org/flickr , Jul 2011

מחסום חיזמה

http://www.machsomwatch.org/reports/checkpoints/10/07/2011/afternoon/18375#sthash.t9hFVzer.dpuf , Jul 2011

The A5 Magazine, Jerusalem Issue

The A5 Magazine , Jun 2011

A5 MAGAZINE IS AN INDEPENDENT CONTEMPORARY ART & DESIGN MAGAZINE FROM TEL-AVIV

EverGreen

Beit Avi Chai , May 2011

Hebrew/English

ִ אמהוּת ולאומיות: קולן של נשים אמניות בשיח השכול וההנצחה

Feb 2011

Was war da los Frau Littman

Der Spiegel,(Szene), Nr. 36/6.9.10, p.60 , Sep 2010

The maternal and another jouissance – a matrixial reading of art

Feb 2009

This paper is an adaptation of a part of the third chapter of Hadara Scheflan-Katzav's Ph.D dissertation: The Encounter between the Maternal Subject and the Visual Signifier in Current Israeli Art, which was written under the supervision of Professor Ruth Ronen.

Border Walls

Aug 2008

Nocturnal Stillness

The New Gallery Teddy Stadium, Jerusalem , Apr 2008

Nocturnal Stillness, Reuven Zahavi, Ariane Littman-Cohen, Niv Ben-David, The New Gallery Teddy Stadium, Jerusalem, text by Dana Arieli-Horowitz, April 2008 (English/Hebrew)

Creating Art, Promoting Change: Works by Jewish Women, The Calendar 2007-2008

Project of the Hadassah-Brandeis University and Brandeis University, USA , Jan 2007

ירושלים תחתית – Downtown Jerusalem

Jerusalem Foundation , May 2006

Hebrew

Offering Reconciliation

Catalog of the exhibition at the Ramat Gan Museum , May 2006

(Hebrew/English)

אורות של מטה ואורות של מעלה: על אור פיזי ואור מטפיזי באמנות הישראלית

הוצאת עם עובד , Oct 2005

אורים , האור בספרות, בהגות ובאמנות עורכים: אמילי בילסקי, אמיתי מנדלסון, אביגדור שנא 212-227 ע'

“Bad Girls” – The Israeli version: Contemporary Women Artists in Israel

in Jewish Feminism in Israel, Some contemporary Perspectives, Brandeis University Press , Oct 2003

Edited by Kalpana Misra and Melanie S. Rich, pp. 141-171

Bad Girls – The Israeli Version Contemporary Women Artists in Israel

Jewish Feminism in Israel: Some Contemporary Perspectives, University Press of New England, 2003 , Jan 2003

Symbolic Israeli landscapes The artists’ work means more to the initiated.

phylli.com , Feb 2002

For her second exhibition of Israeli art, Cheryl Harper, curator at the Gershman Y, has chosen four artists who extract symbolic meaning from ordinary landscapes. Sharon Ya'ari, Ariane Littman-Cohen, Roi Kuper and Gal Weinstein don't merely describe their country's topography. Their images are suffused with historical, sociological and personal references meant to convey complex emotions about the country's ideals.

LandEscapes, A Multi-Site Exhibition of Contemporary Israeli Art

The Gershman Y, The Center for Arts and Culture, Philadelphia, U.S , Jan 2002

ליבה-Core

STUDIO Art Magazine 110 , Jan 2000

Wasteland

The New Gallery, Jerusalem 1999 , Jun 1999

Six Set Up a Table

Musrara 10 , May 1999

Arts & Leisure: Beasts of Burden

Memphis Flyer , Oct 1998

Between Beauty and Destiny, Three Generations of Israeli Art

Cleveland Center for Contemporary Art , Sep 1998

After Rabin: New Art from Israel

The Jewish Museum, September 1998 , Sep 1998

Angst and Introspection In a Time of Transition

The New York Times , Sep 1998

''After Rabin: New Art From Israel'' at the Jewish Museum presents the work of 35 contemporary artists, established and emerging, who are said to be among the most visible and respected in Israel.

שורשי הזרות, ארבעה אמנים מתמודדים עם חווית ההגירה

פנים, כתב עת לתרבות, חברה וחינוך, מס' 6, יולי 1998, עמ' 109-114 , Jul 1998

Junge Kunst Aus Israel

Ministerium fur Wirtshaft und Mittelstand, Technologie und Verkehr, Dusseldorf , Apr 1998

German/English

Jerusalem, Anti-Myth’ in: The Real and ideal Jerusalem in Jewish, Christian and Islamic Art

Jewish Art Vol 23/24 1997-1998 pp. 597-99 , Feb 1998

Milly Heyd- Jerusalem, Anti-Myth' in: The Real and ideal Jerusalem in Jewish, Christian and Islamic Art, Jewish Art Vol 23/24 1997-1998 pp. 597-99, edited by Bianca Kuhnel, The Hebrew University of Jerusalem

Out of Senses

MUKHA, Antwerpen , Apr 1997

(Flemish/English)

Desert Cliché, Israel Now, Local Images

Israeli Forum of Art Museums and the Bass Museum of Art, Miami Beach, Florida, 1996 (Hebrew/English) , Sep 1996

pp.25, 30, 46-48, 83

A Voyage into the Sublime

Herzliya Museum of Art, Spring 1997 , Jul 1996

Marks: Artists Work Throughout Jerusalem/סימנים, אמנים עובדים בחוצות ירושלים

The Israel Museum, Jerusalem , Jun 1996

(Hebrew/English) אוצרת: סוזן לנדאו ,מוזיאון ישראל, ירושלים

Virgin of Israel and Her Daughters בתולת ישראל ובנותיה

The Artists House, Jerusalem / בית האמנים, ירושלים , Mar 1995

English/Hebrew

Tel Aviv, Israel

Magazine: Sculpture , Jan 1995

On Art Focus 1994

ארט פוקוס, אמנות בת זמננו 1994

59, ארבע על חמש , Oct 1994

חללימ אלטרנטיביים ומיצנים

Love at First Sight

Israel Museum , Oct 1994

The Vera, Silvia and Arturo Schwarz Collection of Israeli Art

מעמידה את הסופיות מול הנצחיות

עולם האשה, אמנות פלסטית, ספטמבר 94 , Sep 1994

מטא-סקס 94, זהות, גוף, ומיניות

משכן לאמנות ע''ש חיים אתר, עין-חרוד, מוזיאון בת-ים ע''ש דוד בן-ארי , Jun 1994

יוני-יולי 1994 עמ' 81-80, 131-130

Meta Sex 94, Identity, Body & Sexuality

Museum of Art, Ein Harod; Bat-Yam Museum, 1994 , May 1994

pp. 80-81, 131-133, (Hebrew/English)

Third Person, גוף שלישי

Bograshov Gallery, Camera Obscura, Tel Aviv/ גלריה בוגרשוב, קמרה אובסקורה, תל אביב , Mar 1993

Texts in Hebrew followed by english translation

מי חתום על הברווז ? התערוכה

זמן תל אביב , Sep 1992

Sketches (Mickey’s Keffiyeh)

Sep 1992

מאז שמרסל דושאן צייר שפם למונה ליזה

הארץ , Sep 1992

מה גדל בחממה של בוגרשוב?

מעריב, ספרות ואמנות , Jul 1992

הארץ

Jul 1992

אירית סגולי, עצים בחממה, הארץ, 17.7.92 טלי תמיר, השלמה עם מות האמנות, הארץ 28.7.92

ביער בבוגרשוב

גלריה בוגרשוב , Jun 1992

טקסט לתערוכה טבע דומם

In the Forest of Bograshov

Bograshov Gallery , Jun 1992

דבר/העיר

Jun 1992

תלינו, חממה זמנית, העיר 19.6.92 רבקה מאיר, טבע מבויית, דבר 5.7.92

Sketches Nature Morte

Mar 1992

Niches (Hebrew)

Jul 1991

ירושלים, 22.3.91 , Mar 1991

בבצלאל …

ירושלים, 22.3.91 , Mar 1991