Text: Rona Sela Extract: With White Land, 2001 Littman-Cohen’s work becomes outspokenly political. The artist makes use of photographs that map the entire country, where large areas have been erased at the order of the Military Censor. The use of photographs as ready-mades emphasizes the actions of erasure, concealment, and camouflage to reveal information that the establishment has tried to reduce and hide from the public. By the referencing of conceptual actions on the white stains Littman-Cohen upturns the purpose of the authoritie’s concealment. The lacking and disappeared become exposed and concrete, building a new reality for Holy Land, a type of virtual-territorial sieve: Hole’s Land.
• White Land 2001 •