icon
iconiconiconiconiconiconicon
 
 
710_2677DSC_0469710_2684-1Untitled 004DSC_0361DSC_0640710_2333710_2296Untitled 001SigalDSC_0711DSC_0670DSC_0234DSC_0807DSC_0812Untitled 008DSC_0736710_2750DSC_0908Untitled 011UntitledUntitled 012DSC_0985Calmet, Dom Augustin Antoine, Siege et Prise de Massada par les Romains_B18_1666 (1)-1DSC_0718Untitled 006710_2838Untitled 005
 

Masada – HerStory: The performance, 2018

Masada – HerStory, was inspired by the women survivors as described by Josephus Flavius in his Greek version of The Jewish War (75 CE).

Historical Background:

After the fall of Jerusalem and Judea to the Romans in 70 CE, the fortress of Masada remained the last rebels’ stronghold.

Following several months of siege, the rebels committed collective suicide in an ultimate gesture of freedom on the spring of 73 CE.

Not one living soul remained to fall into the hands of the Romans, or so believed the last fighter.

Yet “an old woman escaped, along with another who was related to Eleazar, in intelligence and education superior to most women, and five little children. They had hidden in the conduits that brought drinking-water underground while the rest were intent upon the suicide-pact.”

Further more, it was these women who conveyed the story to the Romans when they entered the fortress at dawn: “…Seeing no enemy, but dreadful solitude on every side, fire within, and silence, they were at a loss to guess what had happened…the noise came to the ears of the women, who emerged from the conduits and gave the Romans a detailed account of what had happened, the second of them providing a lucid report of Eleazar’s speech and the action that had followed.”

Josephus Flavius, Of the Jewish War, Book VII, Chap VIII

Masada – HerStory

This work inspired by the forgotten rebellion of two women against their leader, Elazar ben Yair  was filmed at Masada, A UNESCO World Heritage Site, Judean Desert, Israel

Each of the 5 women relate in her own way to the story of these two women. And at sunset, like for the past thousands of years, Masada wrap herself in her cloak of mystery.

“Here stand mountains round about, congealed and silent. They are eternal witnesses, ever intelligent, seeing everything always, hearing everything always, and knowing how vain the toil of the climbers has always been.”  (Yitzhak Lamdan, Masada: A Historical Epic 1927).

 

Cast:  Hagar Dagan (flutiste), Maya Yogel (dancer), Yaeli Tai (singer), Alexandra Lavastine (mummy),Sigal and Avner Weissbein (mother and son).

Crew: Talia (Tulik) Galon (cinematographer), Lior Mamon (assistant cinematographer), Ishai Ilan (sound), Aviv Kegen (Aerial cinematographer), Idit Algem (makeup), costumes designer: Lera Lamberg, photos: Gal Mosenson

I am extremely grateful to Mary Liling, Professor Amnon Ben Tor from the Hebrew University’s Institute of Archeology, and Eitan Campbell, Masada National Park’s previous director, for their help and support all along this project. I am grateful to The Israel Museum for the use of the map of Masada by Dom Augustin Antoine Calmet, France, 1672-1757, After Jean Doubdan, Siege et Prise de Massada par les Romains, Etching, The Israel Museum, Jerusalem, gift of Benjamin and Rena Weiss, Zurich, in memory of the late Helen Stone Laor and her husband, the late Eran Laor. Photo © The Israel Museum, Jerusalem by Elie Posner

 

 
 
 
Ariane Littman